We were busy and created a sound mix in 5.1 for Werkraum e.V.: “Woanders.Überall” In addition to the DCP / Digital Cinema Package, the film was played out as an H.264 version with stereo sound. We were also allowed to edit the credits. The source material was the sound cut version from Premiere Pro, which was edited and mixed using AAF transfer to Davinci Resolve / Fairlight.
The film is about violence against women and will be shown at various locations in Karlsruhe as part of the Orange Days.
We were able to create / version the DCP for the German-speaking market for Busch Media Group. The film by Ezra Tsegaye will be available in the original English version with English subtitles and a German audio version.
MONSTER ON A PLANE is furious genre cinema from Germany and had its world premiere at the renowned Brussels International Fantasy Film Festival (BIFFF).
Perfect for fans of Critters, Gremlins and Snakes on A Plane.
We were allowed to create the Digital Cinema Distribution Master (DCDM) and the Digital Cinema Packages (DCP) of “Heimatweh” for Gülsel Özkan / The Future Design Company for storage at the Federal Archive:
One normally exchanges goods, not people. But the “population exchange” between Greece and Turkey a hundred years ago affected over 2 million people. Greeks from Anatolia and Turks from Greece had to leave their homes.
Today, one in five people in Greece and one in fifteen in Turkey are said to be descendants of this systematic uprooting. In addition to the ideas of the nation state that emerged in the 20th century, religious affiliation in particular was a dividing line that led to violent excesses and expulsions. The idea of resettlement organized according to ethnic and religious principles caused unimaginable misfortune and misery on both sides of the resettled people. A “homelandsickness” that has not been healed to this day.
To this day, few people know about this period. Not only are endless tragedies buried in the massacres and expulsions, but also an important part of the history of the 20th century, which became a cruel example, almost a model. The conflicts between Turkey and Greece, which are still smouldering today, have their roots in the historical memories and traumas that are essential to both Greek and Turkish identity. With the fighting words: Nation and religion. It seems that time heals everything but the wounds.
We were allowed to create the Digital Cinema Distribution Master (DCDM) of “Mutantin” for Sonja Ortiz and Amor Schumacher for storage at the Bundesarchiv:
About the film: An emotional and humorous film about the risk of breast cancer and the desire to have children.
The Berlin actress Amor Schumacher decides to have a bilateral mastectomy and removal of her ovaries after she is diagnosed with the BRCA2 gene mutation. The documentary accompanies her on her journey from diagnosis to surgery. It is an emotional and humorous portrait that shows the doubts, hopes and drastic decisions that accompany the diagnosis.
More information about the project can be found in our references:
https://digital-cinema-mastering.com/en/about-us/recent-projects/
We were allowed to create the Digital Cinema Distribution Master (DCDM) and the Digital Cinema Packages (DCP) of “COMPASSION AND INCONVENIENCE” for Vika Kirchenbauer for storage at the Bundesarchiv:
Submission for dokKa 11 is open until 26th of february. Submit your film here;
Deadline für submissions is near! The next festival will take place from 08. – 12. may 2024 in Karlsruhe.
„Theo gegen den Rest der Welt“ from 1980 has been scanned by ALPHA- OMEGA digital in 4K resolution. We are happy to add our share to the preservation of this film.
More on DCDM creation by Digital Cinema Mastering:
More information on this project: http://beta.digital-cinema-mastering.com/de/ueber-uns/referenzen/
We create a DCDM / Digital Cinema Distribution Master for Lumatic.
Production: Our wonderful Nature – The Common Chameleon.
Final destination is the german Bundesarchiv Film. Mastering in 2K and 16bit (source).
For the third time dokKa presented documentary productions, which dealt with societal developments. For 5 days film- and audio productions as well as installative documentary works were presented to the audience – 19 artists were present and dicussed their works with the audience, the jury and the dokKa team.