We created a DCDM / Digital Cinema Distribution Master for Lumatic.
Production: Our wonderful Nature – The Common Chameleon.
Final destination is the german Bundesarchiv Film. Mastering in 2K and 16bit (source).
We created a DCDM / Digital Cinema Distribution Master for Lumatic.
Production: Our wonderful Nature – The Common Chameleon.
Final destination is the german Bundesarchiv Film. Mastering in 2K and 16bit (source).
For the third time dokKa presented documentary productions, which dealt with societal developments. For 5 days film- and audio productions as well as installative documentary works were presented to the audience – 19 artists were present and dicussed their works with the audience, the jury and the dokKa team.
The Jury says (de) :
Am Anfang von Simon Quacks Film steht ein Verbot, das die Redaktion “Recht und Justiz” der ARD, ob sie es will oder nicht, zu befolgen hat. Dieses Verbot lautet: “Du darfst die Gerichtsverhandlung nicht filmen.” Dieses Verbot erzeugt ein Archiv von Bildern, das sich Wesentlich durch den Umstand strukturiert, dass das, was gezeigt werden soll, nicht gezeigt werden darf. Auf diese Weise entsteht eine Art Nicht Bild Archiv, das die Requisiten der medialen Inszenierung und die Requisiten des Gerichtsschauspiels selbst enthält: stumme Richter, stumme Polizisten, stumme Angeklagte, stumme Verteidiger, Akten, Adler, Türknaufe, Namensschilder, Roben usw. Simon Quacks Verdienst ist es zunächsteinmal den Humor und die tiefere Philosphie dieses Bildmaterials wahrgenommen und für eine filmische Arbeit fruchtbar gemacht zu haben.
In Quacks Film begegnen uns auch die Selbstvergewisserungsformeln des Mediums Fernsehen selbst: der Schwenk etwa, oder auch der Zoom. Quack ordnet diese Formeln humorvoll seriell wiederholend hintereinander. Der immergleiche Schwenk aufs Gerichtsgebäude zum Beispiel. Wir spüren, dass das Medium in solchem Procedere sich seiner selbst vergewissert: “Ich schwenke, also bin ich.”
All diese Bilder indes sind keineswegs stumpf oder hohl. Vielmehr haben sie eine merkwürdig eigene poetische Kraft. Indem sie leer sind von Semantik, lassen sie die Dinge und die Menschen für einen Moment in ihrer Wensenhaftigkeit aufscheinen. So wird der langsame zoom auf die Türklinke zu einer tieferen Anerkennung des Gegenstandes selbst.
Simon Quack hat ganz auf die Kraft dieser kleinen und schwachen Bilder vertraut. Herausgekommen ist ein Film, der uns mit einer guten Portion Humor das Nicht Erzählen erzählt. Das ist wunderbar und die Jury möchte Simon Quacks mit diesem Preis ermutigen, in dieser Richtung fort zu schreiten.
We say: Herzlichen Glückwunsch!
Just delivered: Digital Cinema Package of “Enclave” for Sein+Hain Film.
To be seen in Cannes market screening.
Enclave is a very engaged movie and full of hope! In cinemas soon!
From 24. – 29. May 2016 they offer a unique programme:
And we would be there for sure, if not dokKa festival took place here in Karlsruhe at the same time!
More:
From May 24th to May 29th, the International Street Theater Festival tête-à-tête will transform the streets, squares and spaces of the Baroque city of Rastatt into creative and dramatic open-air stages for the 12th time since 1993.
Street theater is the most exciting and most direct expression of urban culture
Vivid mise-en-scène, poetic scenes and breathtaking artistry, dramatic spectacles and clownish acts… street theater creates images that are unforgettable! The power of this genre lies in its immediacy as spectators witness art from mere feet away.
This year’s tête-à-tête comes in a climate of change. After more than 20 years, the artistic direction of the festival has changed hands. Under the new directors, Julia von Wild and Kathrin Bahr, the festival will debut some changes not just in content, but in appearance.
Six nights, five days, 300 individual shows, 47 groups, 11 nations, 12 Germany premieres, eight debut performances and 150,000 attendees.
The festival programme of dokKa 2016 is now available online. We are again amongts the festival supporters and we are looking forward to one week of great documentary works!
More information can be found on the festival website.
We now offer mastering of Digital Cinema Packages in 3D in 4K resolution!
Also new: 4K DCPs with up to 500Mbit bitrate. For highest possible picture quality – future proof!
For futher information on recommendations and compatibility please contact us.
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“Four become parents” by Eva Maschke will be shown at the Independent Days 16 gezeigt.
We did the BluRay Mastering and wish good luck for the coompetione!
See:
2 men, 2 women and a common yearning of these homosexual couples for children. For a whole year the sister of one of the protagonists accompanied four people who took the risk of the adventures of family life.
We are happy to be a member of the AG Kino Gilde e.V. from this year on!
See:
https://www.agkino.de/category/verleiher-firmen/
More about the AG Kino Gilde:
+49 721 170298050
Digital Cinema Mastering
Alter Schlachthof 5
76131 Karlsruhe
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